
Future Artists in Residence
Matt Keegan
21 Jul. – 18 Aug. 2025
Photo by Rafik Greiss
Over the course of his career, Matt Keegan (b. 1976, Manhasset, NY) has worked fluidly across mediums, creating sculpture, photographs, videos, and text-based work that probe the myriad ways in which art and language mediate the personal experience of physical space as well as historical, social, and political events.
Keegan’s artistic practice often parallels contemporaneous publishing projects, and at times a confluence of the two modes of production has compelled the artist to develop new arenas for artistic discourse and collaboration. In 2008 Keegan published AMERICAMERICA, an artist book commissioned and published by Printed Matter, NY, which focuses on the year 1986 and its correspondence with 2008. The book opens with documentation of a 2007 road trip, inspired by Hands Across America, in which Keegan cast the hands of mayors located between New York and New Mexico. In 2003 Keegan co-founded the annual publication North Drive Press with Lizzy Lee, a childhood friend. Numbering five issues between 2004 and 2010, the unconventional project operated as an alternative space for artist-to-artist interviews and art multiples. North Drive Press is included in the collections of the Whitney Museum of American Art, the New York Public Library, The Library at the Hessel Museum and Center for Curatorial Studies at Bard College, and the Beinecke Library at Yale University, among others.
Matt Keegan’s work has been exhibited at museums such as the Athenaeum at the University of Georgia, Athens, GA; Museum of Modern Art, NY; Carpenter Center for the Visual Arts at Harvard University, Cambridge, MA; Contemporary Arts Museum Houston, TX; Grazer Kunstverein, Graz, Austria; The Metropolitan Museum of Art, New York, NY; the Solomon R. Guggenheim Museum, New York, NY, Bilbao, Spain, and Berlin, Germany; The Kitchen, New York, NY; The Art Institute of Chicago, IL; and the New Museum of Contemporary Art, New York, NY. Keegan’s work is represented in numerous museum and private collections worldwide, including the Museum of Modern Art, NY; Walker Art Center, Minneapolis, MN; Solomon R. Guggenheim Museum, New York, NY; The Metropolitan Museum of Art, New York, NY; and the Whitney Museum of American Art, New York, NY, among others. He received his MFA from Columbia University in 2004, attended the Skowhegan School of Painting and Sculpture in 2001, and his BFA from Carnegie Mellon University in 1998. Keegan is currently a Senior Critic in the Painting & Printmaking Department at Yale University, and lives and works in Brooklyn, NY.
Yale School of Arts
Jongil Ma
23 Jul. – 24 Aug. 2025
Jongil Ma is an artist who has participated in over 50 group exhibitions between 2005 and 2024, including at the Museum of Art at Seoul National University, The Bronx Museum, Gwangju Museum of Art, David Owsley Museum of Art, Charles Wang Center at Stony Brook University, and the Housatonic Museum of Art. Ma also exhibited internationally at the Incheon Women Artists Biennale (2009), and the Lodz Biennale (2010).
Ma’s public art projects include commissions from Korea’s Ministry of Culture and Tourism in Gwangju and Damyang (2006–07), and site-specific installations for Kolon Corporation (2011). Ma has had solo and two-person exhibitions, and shown work through various venues such as the Roger Smith Hotel Gallery in Manhattan, Jamaica Flux, LMCC’s Governors Island Project, the Islip Art Museum and Randall’s Island (Flow.11), the Bronx Museum’s AIM program and its biennial, and Socrates Sculpture Park.
Grants and awards include the AHL Foundation (2008), the Pollock-Krasner Foundation (2011-12), Arts Council Korea, and a recognition from Hanyang Mart. Ma’s works are in collections including the Korean Cultural Center in New York, David Owsley Museum of Art, Charles Wang Center, and Housatonic Museum of Art. Press coverage includes The New York Times, Korea Times, Hankyoreh, and World Sculpture News. Ma has also curated exhibitions in New York and Korea, including a 2023 project in Naju featuring 23 international and local artists.
Earth, Wind and Sky
Be There When You Return
River, Sun and The People
To You, A Little Bigger Than Sweet Summer Pink Peach
Fawn Krieger
26 Aug. – 21 Sep. 2025
Fawn Krieger is a NYC-based artist, whose multi-genre works examine how memory, rupture, and transference are embedded from the body into matter, and can be used as grounds for recovery, revolution, and re-imagination. Krieger works both individually and collaboratively, having developed previous projects with artists including Neal Medlyn, Edwin Torres, and Tracy + the Plastics. She received her BFA from Parsons School of Design, and her MFA from Bard College’s Milton Avery Graduate School of the Arts. Her work has been exhibited at The Kitchen, Art in General, Nice & Fit Gallery, The Moore Space, the Rose Art Museum at Brandeis University, Portland Institute for Contemporary Art, Human Resources, Fleisher Ollman Gallery, Real Art Ways, Soloway Gallery, and Neon>fdv. Her work has been featured in the New York Times, Artforum, Art in America, Sculpture Magazine, The Brooklyn Rail, BOMB online, NY Arts, Flash Art, and Texte zur Kunst.
Krieger is a 2019 Louis Comfort Tiffany Foundation Award Fellow, and has received additional grants from Art Matters Foundation, The Jerome Foundation, and The John Anson Kittredge Educational Fund, among others.
Krieger is also participating in KinoSaito’s current exhibition - The Unknown and Its Poetics
Fawn Krieger, // 86, 2024, fired porcelain, underglaze, concrete, pigment, epoxy, 13 x 11.5 x 4.25 in
Fawn Krieger, // 81, 2024, fired porcelain, epoxy, 13.75 x 8.5 x 1.5 in
Fawn Krieger, // 70 (rebus), 2023, fired clay, underglaze, concrete, pigment, 11.25 x 11.75 x 2.25 in
Fawn Krieger, // 66 (rebus shapes small), 2023, fired clay, underglaze, concrete, pigment, 7.5 x 11 x 3 in
Fawn Krieger, // 55, 2022, fired clay, underglaze, concrete, vermiculite, pigment, polystyrene, 15.25 x 20 x 3 in
Fawn Krieger, // 57, 2022, fired clay, underglaze, concrete, vermiculite, pumice, pigment, pigment, 15.75 x 16 x 3.5 in
Fawn Krieger, // 58, 2022, fired clay, underglaze, concrete, vermiculite, pigment, polystyrene, 18.75 x 11.75 x 6.25 in
Fawn Krieger, Making of //6 (video still), 2021
Rachel Eulena Williams
27 Aug. – 21 Sep. 2025
Rachel Eulena Williams (b 1991, Miami, Florida) lives and works in New York. She received her BFA from The Cooper Union for the Advancement of Science and Art in New York. She is an artist whose work displays an unusual level of candor, invention and lightness. Exuding confidence and pleasure, her painted constructions employ the language of abstract painting, but are transformed through her approach to material. Finding a balance between painting and sculpture, Williams applies larger swaths of color made from painted canvases that are subsequently cut and reconfigured. The collage-like works are tied together with sewing which acts both pictorially and creates marks inside her compositions. Williams also adds ropes of differing sizes and thickness that become stand-ins for gestural marks. The overall feeling is of solidity and lightness, structure and wild chances, jostling to create waves of energy.
Rachel Eulena Williams was also participating in one of KinoSaito’s exhibitions - NON-Objectified
Rachel Eulena Williams
Rachel Eulena Williams
Rachel Eulena Williams
Rachel Eulena Williams