Future Artists in Residence

Jessica Caldwell

21 May – 18 Jun. 2025

Jessica Caldwell is an interior designer and educator who believes that every space tells a story. With over 15 years of experience, her work moves fluidly between branding, decorative arts, and interior environments—always with a focus on materiality, memory, and cultural identity. She has designed for brands like Tiffany & Co., Tory Burch, and Bloomingdale’s, but her passion lies in crafting spaces that feel personal, intentional, and deeply connected to the people who inhabit them.

In 2020, she founded FOLKE CREATIVE, a Brooklyn-based design studio where she explores the power of storytelling in space. Her practice is driven by a deep curiosity about how design shapes our lived experiences—especially for communities whose histories have been overlooked. Through research, design, and hands-on making, she seeks to uncover untold narratives and reimagine the way we engage with the built environment.

Jessica’s academic background is as interdisciplinary as her work. She holds a B.A. in Fine Arts with a concentration in Art History from Howard University, a M.A. in Interior Design from the Corcoran College of Art and Design, and a Certificate in 20th Century Design from Sotheby’s Institute of Art in London. As an award-winning educator, she teaches interior design at Pratt Institute and the School of Visual Arts, where she encourages students to think critically about the intersections of design, culture, and artistic expression.

At the heart of it all, Jessica is a storyteller—whether through interiors, objects, or research. Her work is about more than aesthetics; it’s about creating spaces that hold meaning, reflect identity, and invite connection.

Jessica Caldwell, Bloomingdales, Womens’s Shoes, 59th Street, NYC, Completed with Kramer Design Group

Jessica Caldwell, The 8 Senses Pop-Up Shop, Completed with Kramer Design Group

Jessica Caldwell, Tory Burch, Baha Mar, Bhamas, Completed with Tory Burch

Jessica Caldwell, NIC + ZOE Flagship Store, Boston, MA, Completed with Kramer Design Group

Pratt Institute
A top-ranked college with opportunities in art, design, architecture, liberal arts and sciences, and information studies, Pratt offers nearly 50 undergraduate and graduate degree programs and serves 5,140 students. The Institute’s impact expands beyond its 25-acre residential campus in Brooklyn to cutting-edge facilities throughout the borough, a landmark building and public gallery in Manhattan, as well as an extension campus, PrattMWP College of Art and Design in Utica, New York. Since its founding in 1887, Pratt has prioritized diversity and inclusion, welcoming students from all walks of life while developing and sustaining pathways to more equitable workplaces and careers.


Sam Vernon

21 May – 18 Jun. 2025

Photo by Jasper Kettner

Sam Vernon is an interdisciplinary artist whose practice merges the performance of art objects and the scholarly exploration of personal and institutional archives. With a focus on themes of identity and material cultural production in print, Vernon uses a variety of media, including installation, drawing, and assemblage, to create engaging narratives that invite critical reflection. Her work often explores the complexities of Blackness, the body, and power structures in contemporary society. Vernon has exhibited her work nationally and internationally, recently including her solo exhibition at Kunsthaus Hamburg in Germany, and has received accolades for her innovative approach to social commentary through art. Sam lives and works in NYC and teaches Drawing at Pratt Institute.

Sam Vernon, Your Best Bet, 2022, Digital print on organza, 16.5 x 60 in

Sam Vernon, Ghosts, 2009, Pen and ink, Xerox, 11 x 8.5 in

Sam Vernon, U TWIRL, 2020, Monoprint, 7.75 x 5.5 in

Sam Vernon, U?, U? K & DIE, & FREE &, & FRO, SUS, US &, Shadow Sale, 2 & Fro (Shadow), Sigh ?, Y R U O K, & EGO &, 2024, Installation view of twelve monoprints, 2024

Pratt Institute
A top-ranked college with opportunities in art, design, architecture, liberal arts and sciences, and information studies, Pratt offers nearly 50 undergraduate and graduate degree programs and serves 5,140 students. The Institute’s impact expands beyond its 25-acre residential campus in Brooklyn to cutting-edge facilities throughout the borough, a landmark building and public gallery in Manhattan, as well as an extension campus, PrattMWP College of Art and Design in Utica, New York. Since its founding in 1887, Pratt has prioritized diversity and inclusion, welcoming students from all walks of life while developing and sustaining pathways to more equitable workplaces and careers.


Maria Camia

23 Jun. – 20 Jul. 2025

Maria Camia (b. 1991) is a Brooklyn based Filipino-American Visual Theatre Artist, Director, Playwright, Fashion Designer, and Introspective Hypnosis Practitioner from Virginia Beach, VA. Her work is a playful yet political call to disconnect from hyper-consumerism and to reclaim the truth within through the use of storytelling, new ceremonies, puppets, comics, illustration, music, and spiritual clothing. With sharp comedy, Shakespearean styled writing, catchy tunes, and joyful theatrical surprise, she intends to make self-reflection and shadow work fun. Since 2013, Maria has dedicated her entire artistic practice to the creation of the world of Aricama, bridging indigenous ancestry with galactic futurism by globally inspiring practice, play, and healing.

Maria attended Virginia Commonwealth University for a BFA in Sculpture + Extended Media and Sarah Lawrence College for a Masters in Theatre. Her original work was performed at Dixon Place, La MaMa Experimental Club, Chicago’s International Puppet Festival, Coney Island, and Museum of Chinese in America. She received the Jim Henson’s Workshop in 2021 and 2023, and Production Grant, and Women’s Fund for Media and Music for her puppet musical, The Healing Shipment. Recently, she was awarded The Puppetry Guild of Greater New York’s BIPOC Puppeteer Scholarship for outstanding dedication to the art and craft of puppetry and ongoing contributions to the puppetry community.

@themaricama
Youtube.com/MariaCamia
MARICAMA.COM

La MaMa Kids Workshop

My Handy Ancestors Art

28 Jun. 2025 | 1-4pm
Free Drop-In

Who is your first finger? Who is your pinky? Students will participate in making a pair of ancestor gloves with white cotton gloves, their imagination, paper, markers, glue, and scissors to celebrate their hands. They will think of each finger as an ancestor/character here to assist them in the world and share with the group if they wish. Gloves will be displayed and must be used in a ritual ceremony at the end of Maria’s performance in order to take home. Maria will provide examples to expand the possibilities. This workshop is to imagine the body as a sacred supportive vessel that supports us instead of just a meat sack to do work.

Materials included.

This class is suitable for all ages and abilities.

Workshop

Energy Hygiene Puppet Painting

13 Jul. 2025 | 1-3pm | $10
RSVP

Join Maria as we practice energy hygiene techniques to connect to the different sensations/emotions/pains trapped in our body followed by using our imagination to clean it out. Participants will then paint provided mini Aricamian puppet statues with how they imagined cleaning out their body. Painted puppets will be used in Maria’s final performance. 

Since 2020, Maria became a certified Introspective Hypnosis Practitioner alongside her artistic practice to release heavy energies from the body. She has learned how past experiences can get stuck in our body and using the imagination daily to release these energies is beneficial before unresolved feelings become physical ailments or disease. She will teach techniques she uses in hypnosis and is excited to share this with the public.

Materials included.

This class is suitable for all ages and abilities.

Performance

Higher Eyes on Aricama

Piano | Aaron Banes

Free | RSVP Required
19 Jul. 2025 | 1pm |
RSVP
19 Jul. 2025 | 3pm |
RSVP
20 Jul. 2025 | 1pm |
RSVP
20 Jul. 2025 | 3pm |
RSVP

Maria will perform Higher Eyes on Aricama, a 45-minute solo-performance with four 4’x4’ colorful paintings / Toy Theater sets, hand puppets, costume, and a live pianist. The story follows two flower humanoids, Ari and Cama, as their attention spans shatter into infinite altered dimensions causing their homeland Aricama, the land of practice, play, and healing, to turn into dust. Will they release themselves from their attachments or lose everything they worked for? Maria explores dreams, phone addiction, and a message from the body.

La MaMa Experimental Theatre Club is dedicated to the artist and all aspects of the theatre. They are a creative home to artists and audiences from around the world and a dynamic hub for risk-taking performance. La MaMa believes in the power of art to reveal our shared humanity and supports artists of all identities in the creation of new work.

Founded in 1961 by Ellen Stewart, La MaMa is the only original Off-Off-Broadway theatre still in operation. Over the course of 61 years, they have grown from an underground refuge for the avant-gar- de to a world-renowned cultural institution, with 30+ Obie Awards, dozens of Drama Desk Awards, Bessie Awards, Villager Awards, and the 2018 Regional Theater Tony Award. They have supported nearly 160,000 artists from all over the world, such as Blue Man Group, Peter Brook, André De Shields, Ping Chong, Olympia Dukakis, Harvey Fierstein, Philip Glass, Tedeschi Kantor, Shuji Terayama, Adrienne Kennedy, Diane Lane, Taylor Mac, Bette Midler, Meredith Monk, Sam Shepard, Andrei Serban, Elizabeth Swados, and Julie Taymor, to name a few.


Fawn Krieger

26 Aug. – 21 Sep. 2025

Fawn Krieger is a NYC-based artist, whose multi-genre works examine how memory, rupture, and transference are embedded from the body into matter, and can be used as grounds for recovery, revolution, and re-imagination. Krieger works both individually and collaboratively, having developed previous projects with artists including Neal Medlyn, Edwin Torres, and Tracy + the Plastics. She received her BFA from Parsons School of Design, and her MFA from Bard College’s Milton Avery Graduate School of the Arts. Her work has been exhibited at The Kitchen, Art in General, Nice & Fit Gallery, The Moore Space, the Rose Art Museum at Brandeis University, Portland Institute for Contemporary Art, Human Resources, Fleisher Ollman Gallery, Real Art Ways, Soloway Gallery, and Neon>fdv. Her work has been featured in the New York Times, Artforum, Art in America, Sculpture Magazine, The Brooklyn Rail, BOMB online, NY Arts, Flash Art, and Texte zur Kunst.

Krieger is a 2019 Louis Comfort Tiffany Foundation Award Fellow, and has received additional grants from Art Matters Foundation, The Jerome Foundation, and The John Anson Kittredge Educational Fund, among others.

Fawn Krieger, // 86, 2024, fired porcelain, underglaze, concrete, pigment, epoxy, 13 x 11.5 x 4.25 in

Fawn Krieger, // 81, 2024, fired porcelain, epoxy, 13.75 x 8.5 x 1.5 in

Fawn Krieger, // 70 (rebus), 2023, fired clay, underglaze, concrete, pigment, 11.25 x 11.75 x 2.25 in

Fawn Krieger, // 66 (rebus shapes small), 2023, fired clay, underglaze, concrete, pigment, 7.5 x 11 x 3 in

Fawn Krieger, // 55, 2022, fired clay, underglaze, concrete, vermiculite, pigment, polystyrene, 15.25 x 20 x 3 in

Fawn Krieger, // 57, 2022, fired clay, underglaze, concrete, vermiculite, pumice, pigment, pigment, 15.75 x 16 x 3.5 in

Fawn Krieger, // 58, 2022, fired clay, underglaze, concrete, vermiculite, pigment, polystyrene, 18.75 x 11.75 x 6.25 in

Fawn Krieger, Making of //6 (video still), 2021


Rachel Eulena Williams

27 Aug. – 21 Sep. 2025

Rachel Eulena Williams (b 1991, Miami, Florida) lives and works in New York. She received her BFA from The Cooper Union for the Advancement of Science and Art in New York. She is an artist whose work displays an unusual level of candor, invention and lightness. Exuding confidence and pleasure, her painted constructions employ the language of abstract painting, but are transformed through her approach to material. Finding a balance between painting and sculpture, Williams applies larger swaths of color made from painted canvases that are subsequently cut and reconfigured. The collage-like works are tied together with sewing which acts both pictorially and creates marks inside her compositions. Williams also adds ropes of differing sizes and thickness that become stand-ins for gestural marks. The overall feeling is of solidity and lightness, structure and wild chances, jostling to create waves of energy.

Rachel Eulena Williams

Rachel Eulena Williams

Rachel Eulena Williams

Rachel Eulena Williams